![]() ![]() A course/fine toggle for changing the controls sensitivity for most pages.A butter smooth source/timeline jog knob (featuring auto-detected screen location using custom build computer vision tools) for the Edit, Cut and Media page.These are mainly intended for custom mapping your own favorite not standard mapped OFX plugins, but can also be used for the Camera Raw pane for example, which is not in the standard mapping due to constant changing layout based on source material type, so a perfect candidate for user mapping. For the color grading page, a set of 5 extra banks with 16 knobs each, featuring user programmable mappings, all programmed directly by you and simply with the controller itself, using smart visual feedback.Control over ANY not pre mapped OFX plugin (incl 3rd party) using a default general purpose mapping of up to 16 ofx slider controls.Currently these 21 Resolve OFX plugins are supported and fully mapped: Absolutely unique to this controller and its larger brothers, full control over a set of selected and expanding number of the best of Resolve OFX.Besides complete color grading page operation also a fully loaded, dynamic Mackie HUI style mixer for the Fairlight page, with 8 channel strips (per bank) with navigation, fader, pan, mute, fader/pan reset, jog/shuttle control knob and page navigation by bank or channel.full control of wipe position and wipe type selection.extensive reset features (entire grade / node / section / single parameter (on key primary parameters)).Navigation (playback/clip/node/keyframe etc).Several global controls like among others.Any OFX plugin (unique feature, see later).Sizing (full control over all sizing types ). ![]() Shapes (full autodetecting and control over all shapes).Color Warper (new as of v11.9 for DR17+ !!!).HDR Grading tool full control (new as of v11.0 for DR17+ !!!).Camera RAW (auto detecting and adjusting for Raw codec).The following base features of the DaVinci Resolve color page can be fully controlled: Augmented by a large set of custom developed scripts and tools that go way beyond the possibilities of controllermate and give rise to some unique features. This all driven by over ten thousand smart interacting objects programmed in the “Controllermate” software (remark: in combo with my unique suite of tools 100% Monterey compatible !). ~95% of the DaVinci Resolve color grading page controls mapped to buttons and rotary knobs of the Arturia Beatstep midi controller (not included), assisted via a unique programmed visual feedback system using its lights and a button callable or (new) always on wireless Heads Up Display so you never get lost.and, i can use the mackie control universal, with the remote control possibilities, mapping them in the order a like (within cubase). maschine mk3, NKS, but i do not use many plugins for maschine, but when a project calls for a arturia plugin, there is NKS (and maschine 2.x, the software, also works with automap, the loaded plugins. nektar panorama p1 (for reason 10, and when there comes an update for cubase 9.5 pro, and it will come, it will be really great controller) the sl 49 compact is not always necessary. The mcu, mentioned later, i also will map it to my needs for the cs80. automation, many lanes, at once, is heaven, tweaking parameters. not in a technically way, but in a practical way.Ģ automap controllers are most of the times enough. other synths/vintage instruments, the first two mentioned are enough.Įveryting, i repeat, in with automap. the compact i use also for the cs 80, for more control of different elements of the synth. With the 2 first one, mapping for instance the cs 80, makes it possible to control everything, from the controllers. These are the main controllers for the arturia plugins. I'm sure many of you have better ideas and tips to share. It would be interesting to know how you work with your Arturia Synths. I'm about to make a physical template for every Arturia synth to put on top of my Novation XL telling me what knob is assigned to what. By that I know where one thing starts and ends, by giving it the same colour. And the Novation XL has leds under the knobs that makes the assigning a bit clearer. I got it first, but the knobs were so small so I found it hard to get a grip of them. I strongly recommend you to get an extra controller to assign to the Arturia synths.Īkai Midimix (also got 32 knobs/faders) makes the same thing as the Novation Launch Control XL and is really cheap. I can easily mess around with delays, chorus, filters, lfos, noises, speed on vcf/vca and a lot of other stuff while playing. I've made a config for every synth that makes it really fast, easy and fun to tweak and form my own sounds. I have totally 48 knobs and faders to assign to the Arturia synths (Keylab Essential have 16 and Novation XL has 32). I recently bought the Arturia Essential 61 and the Novation Launch Control XL. ![]()
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